Fan The Flame: Donate Today

In Case You Missed the Memo, Girls, Blackface is No Longer “In”

Posted on November 17th, 2011 by Stephanie Creech

I’m having another of those YOU HAVE GOT TO BE KIDDING ME moments. Earlier today, a friend shared a link  to a news story – a story about a group of six girls at Southern Mississippi University who decided to attend a 1980s-themed party as the Huxtable family from The Cosby Show. Problem, you ask? These young white girls went in blackface.

Pauses to glance at calendar.  Yep, it’s really 2011.

Just how, exactly, does a citizen of the 21st century, even an adolescent citizen, fail to realize that, as my teenage children would say, “Seriously – that’s so not cool!”

Lots of unflattering terms come to mind in considering what these girls have done. But I’ve decided to give them the benefit of the doubt and refer to their actions as “culturally insensitive” or “unconsciously incompetent.” Since the goal of diversity and inclusion, however, is for all of us to become “unconsciously competent,” I’d say the university and the sorority involved both have considerable work to do with this little group.

I am also carefully reminding myself here that it was not an entire university who did this. Nor was it an entire sorority. It was six woefully unenlightened members of a sorority, whose sorority has more than taken them to task.  But I digress.

The goal of my blog is to remind young people, and perhaps also a few parents who may have missed the memo, that blackface really hasn’t been “in” for a while now. Of course, it reflects very poorly on our society that it ever was. Perhaps you’ll join me in sharing this message.

Let’s review just a bit. Having begun with the white man’s portrayal of plantation slaves and free African Americans during the era of minstrel shows (1830-1890), the blackfaced minstrels played an historically significant role in perpetuating – on a global level - some pretty heinous images, attidues and stereotypes of African Americans. While virtually every group of immigrants fell prey to the insensitivity of America’s 19th century music halls, none felt the impact of these portrayals with quite the same intensity of ignorance, prejudice and hostility as did the African Americans.

"Come listen all you galls and boys, I'm going to sing a little song, Weel about and turn about and do jis so, Eb'ry time I weel about I jump Jim Crow."

White America’s perceptions of African American entertainers were heavily influenced by these hyperbolized minstrels. For more than one hundred years,  these caricatures perpetuatead the myth that African Americans were racially and socially inferior. Ultimately, the American imagination began to assume that any person with dark skin, no matter what their background, should rightfully conform to one of a number of stereotypical caricatures such as “Jim Crow” and “Zip Coon;” or, “Mammy” and little “Pickaninnies.” Offended by these names? Well, I should think so.

So you see, while these girls may have acted in ignorance – or unconscious incompetence – their actions were no less offensive. Those around them, that world at large that they have seemingly tuned out, are insulted by their insensitivity and lack of awareness. It is to the credit of their sorority sisters who decided to make the girls painfully aware of their mistakes. I whole-heartedly applaud them and the  university for insisting that the girls embark upon a journey of      
                                                                                                                understanding so that they can truly know better in future.

I have to assume these aren’t bad kids, but rather thoughtless and unlightened, as adolescents often are. Am I excusing their behavior? Of course not. But I refuse to beat them up on this blog too harshly. After all, but for the grace of God, there go mine. I merely hope, on the off-chance that someone may actually be listening, that we can spread the word that blackface is officially out of favor.

3 Responses
Post a Comment
  • Mildred says:

    I love this, Stephanie. You touched on so many poignant points, yet still showed empathy for those girls. This saddens me. I’ve done a lot of reading on the topic of minstrels and blackface, and it’s sad that it translates to them as something acceptable in modern popular culture, much less pairing it with a favored portrayal of professional African-Americans. Thanks for posting this.

  • Greg says:

    This is a very interesting topic to me as of late because I had this discussion with a friend around Halloween. The discussion was centered around a white guy wanting to portray a black athlete and they did not see the problem with wearing blackface. I talked them out of it based on cultural sensitivity after a little history, but what was interesting to me about the whole exchange was that they felt they were honoring someone they looked up to, rather than making a farce of that person. So my question is as we as a society become continually sensitive (and by no means are we there don’t get me wrong) will we start to see a blur in the line where blackface will turn from offensive in all respects to offensive in certain respects and simple costuming in others? Like I said this is by no means happening any time soon, but I am finding it interesting that my friend had no malice what-so-ever and it seemed that these six girls didn’t have any malice either and were simply dressing as some of their favorite characters from the 80′s, however poor that judgement was.

  • Kathy Stockman says:

    Thanks for posting this. Though I have to admit it still angers me there are those who still don’t know how hurtful this is….that there is still so much teaching to be done.

    A few years ago (maybe 5), a few art students at Miami University thought it may be a good idea to hang a noose on a tree outside of the University galleries as sort of a commentary or public artwork. The students claimed they never meant any harm…and like you, I’m sure they didn’t, but they said they just didn’t know how poorly it would be received.

    I was teaching art history there at the time and the dept chair asked how this could have been avoided. I responded, “Teaching.” BFA students were not required to take a contemporary art history class towards their degrees. Without this, I insisted, these students fail to learn the history of the imagery and how artists have been addressing it for at least the past 50 years.

    I think you are correct in suggesting an cultural ignorance, incompetence, insensitivity is apparent. I would go on to claim this reflects poorly on an education system that moves away from the liberal arts and humanities. If our curriculm continues on this path, teachers….like you, the other sorority girls who confronted them…people brave enough to stand up against these actions through compassion are a greater treasure.

Leave a Reply -*All fields marked with an asterisk are required.

About the Freedom Blog

The Freedom Blog is written by the staff, volunteers, and others at the National Underground Railroad Freedom Center for educational and discussion purposes. The views expressed on the Freedom Blog belong to the individual contributors and do not represent the views of the Freedom Center. You are welcome to post your comments on the blog. Please note that the Freedom Center reserves the right to moderate comments to ensure that they are not abusive, defamatory, obscene, unlawful, invasive of another's privacy or rights, or commercial or political in nature.

Join our Newsletter